grimmly2007.blogspot

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Wednesday, 13 January 2016

Krishnamacharya's marvellous Ardha Matsyendrasana 'no1' variation (instruction and photos) ALSO Purna Matyendrasana tutorial.

Posted on January 13, 2016 by ravi
In a recent post I mentioned that I started the new year practicing pretty much straight Ashtanga alongside M. I speculated at the end of the post how long that might last. I think it ended up being around ten days. With M. no longer on the mat beside me for a couple of days I slipped back into my usual slower practice, fewer asana with longer stays, slowing the breath.... exploring internal drishti, pranayama before and after practice.... a Sit. 
It's the same practice and yet not.


*

One asana I've become fascinated with lately ( I seem to go through phases, baddha konasana, bharadvajrasana, mudras like maha mudra...) is Krishnamacharya's Ardha Matsyendrasana 'no1'. I love this Ardha badha padmasana matsyendrasana version and especially the pictures of Krishnamacharya presenting it at the age of 84. 

In Ashtanga we tend to be more familiar with 'no2'. were one leg is bent rather than straight. This first version then seems simpler but is actually quite challenging, notice how deeply Krishnamacharya is twisted into the asana with his hand on his shin. I find the experience of practicing this version quite profound, was this perhaps the original. 

Sri Sribhashyam in his book Emergence of yoga indicates Krishnamacharya would employ Ujjayi breathing and Kantha (back of throat) or nasagra (top of nose) as the internal focal point (drishti?) in his own practice.

*

Ardha Matsyendrasana

Instructions below from Yoga Makaranda part II ( Salutations to the teacher the eternal one ) Photos from the fourth edition of Yogasanagalu ( Krishnamacharya aged 84).

31. ARDHA MATSYENDRASANA - Section A.





Technique:

1. Sit erect, with both legs stretched in front.

2. Bend one leg, say the right, at the knees, and place the foot of the right leg on the left
thigh, so that the heel of the right foot is as near the naval as possible. The tendency of the stretched leg to twist to the left should be resisted. The foot of the left leg should be perpendicular to the ground. The knees should not be more than 12 inches apart.

3. Exhale slowly, and twist the trunk to the left, keeping the spine erect. Take the left hand behind the back so that the fingers of the left hand may catch hold of the right leg at the shin, just above the ankle.

4. Twist the head to the left so that the chin is above the left shoulder.

5. The right hand is stretched and the outside of the left foot is caught hold of by the
palm of the right hand. The fingers of the right hand should touch the sole of the left foot. In this position the shoulder blades and right arms will be in a straight line.

6. The eyes should gaze at the tip of the nose in the case of married people. In the case of those who are unmarried the gaze may be to the midpoint of the eyebrows.

7. Take deep breaths. Not more than three at the beginning stages. The number may be slowly increased to twelve as practice advances.

8. Repeat on the other side.

Note: It is important that the counter pose should be done soon after the above asana is completed. The counter pose BADDHA PADMASANA, will be described later. ( see end of post).

32. ARDHA MATSYENDRASANA - Section B




Technique:

1. Sit upright, with both legs stretched in front. Bend one of the legs, say the right, at the knee and bring the heel below the seat. The outside of the knee and the thigh should touch the ground. Bend the left leg and place the left foot by the side of the right knee and to the right of it. The left foot will be firmly placed flat on the ground and left foreleg will be perpendicular to the ground.

2. While exhaling, twist the trunk to the left and bring the stretched right arms so that the armpit is above the left thigh and the left knee touches the outside of the right upper arms and fingers of the right hand catch hold of the left foot.

Note: It should be carefully noted that to avoid danger to the elbow of the right arm, the right elbow reaches a position below the left knee as low as possible. See the illustration and note the position carefully.

3. The left arm is taken round the back, so that fingers touch the right thigh. Care should be taken that the spine is kept erect.

4. Turn the head to the left so that the chin is near the left shoulder.

5. Take three deep breaths.

6. Repeat on the other side.

Note: The deep breaths should be taken without retention of breath and without strain to the lungs.
As a variation, to make the asana somewhat easier, the heel of the right leg instead of being placed below the seat, may be placed a bit to the left so that balancing is easier in the final position.
Benefits: This is of special benefit to those suffering from stomach complaints. This rapidly reduces the waistline.


***

Instructions for the counter posture mentioned, baddha padmasana, at the end of the post.

Purna Matsyendrasana

Pattabhi Jois Late 1930s-40s

Purna matsyendrasana on right


No instructions in Yoga Makaranda for the more advanced Purna Matsyendrasana ( it is however in Krishnamacharya's Yogasangalu list of proficient asana) but here's Jessica Walden with an excellent tutorial.



On Ramaswami's 2010 Vinyasa Krama TT,
unfortunately this was just after a very large lunch.
*

Baddha padmasana and Yoga Mudra

Krishnamacharya mentions above that baddha padmasana is a counter to Ardha Matsyendrasana

from Yoga Makaranda Part II

35. BADDHA PADMASANA

This asana is the counter pose to the ARDHA MATSYENDRASANA - Section A, and should be done immediately after that asana.


Technique:

1. Sit upright, with both legs stretched in front. Bend one of the legs, say the right, at the knee and place the foot on the left thigh as high as possible. The heel should be as near the navel as possible. Now bend the left leg at the knee and place the left foot on the right thigh as high as possible, and the heel as near the navel as possible. The knees should be as close as possible and touch the ground.

2. Take the left arm around the back and catch hold of the toes of the left foot by the right hand. Next, take the right hand behind the back and catch hold of the toes of the right foot by the fingers of the right hand.

Note: Which hand is taken round first is important. In the position described above, it will be observed that the LEFT leg is crossed over the right leg, and it is the LEFT arm that is taken round the round back first, to catch hold of the toes. When the asana is repeated on the other side, the right leg will be over the left leg and right arm will be taken round the back first.

3. Chin lock, chest forward. In the case of those who are married, the gaze should be to the tip of the nose, and in the case of the others the gaze should be to the midpoint of the eyebrows.

4. Take deep breaths. The deep breaths in this asana can with advantage be with control both after inhalation and after exhalation i.e., both ANTHER AND BAHYA Kumbhakam. The retention of breath, in the beginning stages, should not be more than 5 seconds after inhalation and not more than two seconds after exhalation. The breathing in and breathing out should be as thin and as long possible, with rubbing sensation in the throat. The number of rounds can be as many as it is conveniently possible without strain. 5. Get back to the position in step (1) and repeat on the other side.

This is one of the asanas specifically recommended for doing Pranayama. When a large number of Pranayamas are done there is a feeling of hunger, but it is a false sensation. Benefits: This benefits all parts of the body, reduces the waistline, strengthens the lungs and the blood vessels.


***


from Yoga Makaranda (Mysore 1934) Part I p103-105

18 Baddhapadmasana (Figure 4.52, 4.53, 4.54, 4.55)
Place the right foot on top of the left thigh and the left foot on top of the right thigh. Take the hands behind the back and tightly clasp the big toe of the right foot with the first three fingers of the right hand and tightly clasp the big toe of the left foot with the first three fingers of the left hand.
Press the chin firmly against the chest. Keep the gaze fixed on the midbrow. Sit down, keeping the rest of the body straight. This has the name baddhapadmasana. This asana must be repeated on the other side (that is, first place the left foot on top of the right thigh and then the right foot on top of the left thigh) in order to exercise both sides of the body.

This has 16 vinyasas. The 8th and 9th vinyasas are the asana sthiti. The other vinyasas are like pascimottanasana. 

Study the pictures (Figures 4.52, 4.53) and learn how to keep the gaze. In this asana, one must do puraka kumbhaka. Only in yoga mudra sthiti should one do recaka. This sthiti consists of two forms — so study the pictures (Figures 4.54, 4.55) carefully.

Benefit: It will cure all diseases of the lower abdomen. Pregnant women should not do this asana.


originally numbered 052


originally numbered 053


originally numbered 054

originally numbered 055



Email ThisBlogThis!Share to XShare to Facebook
Posted in ardha matsyendrasana, Purna matsyendrasana | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • Ashtanga Advanced series? Why does the Advanced series presentations differ from the 'Original' 1973 Ashtanga syllabus
    I was asked a question about Philippa Asher's Advanced B poster and video I posted a link this week in connection to Philippa's arti...
  • Ashtanga Authorisation 1980 - Present. Includes first ONLINE teaching list (Ashtanga.com 2004) and first AYRI teachers list (2008).
    This post will become a permanent page at the top of the blog, a work in progress attempt to chart the development of the Ashtanga Authorisa...
  • Krishnamacharya recommended Four Key asana/mudra..... make that six..
    I was just sent an email asking for a recommendation "What 3-5 yoga poses should all men practice daily?" In several posts in the ...

Categories

  • #proficientprimaryproject
  • 84 key asana
  • active movement
  • Acupuncture
  • Advanced Ashtanga
  • Advanced Ashtanga demonstration
  • Advanced Ashtanga. Advanced asana
  • advanced B
  • Advanced backbending
  • Advanced series ashtanga
  • Ahtanga
  • alternate breathing in ashtanga
  • Antharanga Sadhana
  • Ardha Baddha Padma Paschimattanasana
  • ardha matsyendrasana
  • arm balances
  • Asana and ageing
  • asana as mudra
  • Ashtanga
  • Ashtanga 4th series.
  • Ashtanga 6th series
  • Ashtanga A
  • Ashtanga Advanced series
  • Ashtanga and addiction
  • ashtanga and ageing
  • Ashtanga and Diet
  • Ashtanga and eating
  • Ashtanga and losing weight
  • Ashtanga and menstruation
  • Ashtanga and recovery
  • Ashtanga and Weight lost
  • ashtanga authorisation
  • Ashtanga B
  • Ashtanga books
  • Ashtanga breathing
  • Ashtanga C
  • Ashtanga in midlife
  • Ashtanga interviews
  • Ashtanga Ladies holiday
  • Ashtanga led
  • Ashtanga lineage
  • Ashtanga Parampara
  • Ashtanga practice
  • Ashtanga primary
  • Ashtanga reading list
  • Ashtanga source
  • Ashtanga syllabus
  • Ashtanga teacher Authorisation
  • Ashtanga underwater
  • Ashtanga vinyasa
  • ashtanga vinyasa count.
  • Ashtanga Viswanath
  • Ashtanga yoga london
  • Ashtanga young boys
  • Ashtanga's origins
  • Asymmetric asana
  • Authorisation
  • AVIDYA
  • B.N.S. Iyengar
  • backbending
  • baddha konasana
  • baddha padmasana
  • beginner yoga reading list
  • Beginning Ashtanga
  • beginning Vinyasa krama
  • beginning vinyasa yoga
  • beginning yoga
  • being stopped at a posture
  • bhagavad gita
  • Bharadvajrasana
  • Bharatanatyam
  • BKS Iyengar
  • BNS Iyengar
  • Bohr effect
  • Book review
  • breathing asana
  • breathing in Ashtanga
  • breathing less
  • chakrasana
  • Chinese medicine and Ashtanga
  • chuck Miller
  • CIRCULO BLANCO
  • Conference notes.
  • cultivate
  • current practice
  • Dandasana
  • Danny Paradise
  • David Roche
  • David Swenson
  • David Williams
  • deep backbends
  • developing a Home practice
  • Dharana
  • Dhyana
  • drishti
  • dropback
  • early asana diploma course
  • early ashtanga vinyasa
  • eka pada sirsasana
  • Emergence of Yoga
  • four key asana
  • Gunas
  • Half Ashtanga series
  • Hamish Hendry
  • hands free lotus
  • hatha yoga
  • Hatha Yoga Pradipka
  • headstand
  • headstand variations.
  • headstands
  • Heartfulness meditation
  • Heartfulness meditation and ashtanga vinyasa yoga
  • hidden postures between postures.
  • History of Ashtanga
  • Home practice
  • Home yoga practice
  • in defence of ashtanga
  • Introduction to breath control
  • inversions
  • Invertions.
  • Jessica Walden
  • Kapotasana
  • karandavasana
  • Karandavasana preparation
  • Keshava Murthy
  • key asana
  • Kino intermediate series
  • Kino MacGregor
  • KPJAYI
  • Krishanacharya
  • krishna
  • Krishnamacharya
  • Krishnamacharya and Buddhism
  • Krishnamacharya and drishti
  • krishnamacharya and the gaze
  • Krishnamacharya backbending
  • Krishnamacharya kumbhaka
  • Krishnamacharya pranayama
  • krishnamacharya pranayama in asana
  • Krishnamacharya quotes
  • Krishnamacharya reading list
  • Krishnamacharya. Is Ashtanga hatha or raja yoga
  • Krishnamacharya's 32 headstands
  • Krishnamacharya's Advanced asana
  • Krishnamacharya's Ashtanga Primary series
  • Krishnamacharya's early Mysore works
  • krishnamacharya's inversions
  • Krishnamacharya's key asana
  • Krishnamacharya's Mysore Yoga students 1941
  • Krishnamacharya's Original Ashtanga Yoga
  • Krishnamacharya's practice guidelines
  • Krishnamacharya's pranayama
  • krishnamacharya7s Ashtanga
  • Kumbhaka
  • ladies holiday
  • lagu vajrasanam supta vajrasana
  • Langhana kriya
  • learn dance hand mudras
  • Learn Sanskrit
  • learning sanskrit yoga names
  • Learning Sanskrit.
  • Learning the sanskrit names for Ashtanga primary series. learning the Ashtanga vinyasa count
  • leg behind head poastures
  • lineage
  • Lineage holder
  • Lino Miele
  • lotus
  • Louise Ellis
  • loving kindness
  • Loving kindness and Yoga Sutras
  • M.S. Viswanath (Masterji)
  • maha bhandasana
  • mahabhandasana
  • mahabharata
  • mahamudra
  • manju jois
  • Manju's new Book
  • Mantra pranayama
  • Mark Darby
  • Mary taylor. subtle body.
  • Masterji
  • meanings of Yoga
  • Meditation and Ashtanga Vinyasa Yoga
  • Menstruation
  • metta
  • modified Ashtanga
  • moola bhandasana
  • moolabhandasana
  • mudra
  • Mudras
  • mula bhandasana
  • mulabhandasana
  • My year in posts
  • Mysore Traditions Movie
  • Mysore yoga demonstration 1941
  • Mysore yoga tradition
  • Nancy Gilgoff
  • newsletters
  • No official ashtanga
  • official ashtanga
  • OM The world of Ashtanga Yogis
  • on Series
  • on vinyasa
  • One breath an asana
  • original Ashtanga
  • original ashtanga syllabus
  • Original ashtanga table
  • Original ashtanga vinyasa count
  • origins of Ashtanga
  • Orisginal Ashtanga syllabus
  • padmasana
  • padmasana variations
  • Paramaguru
  • parampara
  • Patabbhi Jois' nephew
  • patanjali
  • Pattabhi Jois
  • Pattabhi jois Advanced series
  • Pattabhi Jois pranayama
  • Pattabhi Jois'
  • Pattabhi Jois' Yoga Journal letter
  • Perter Brooks Mahabharata
  • Philippa Asher
  • phulgenda Sinha
  • Plagerism
  • practice
  • practicing Yoga at home
  • practicing yoga safely
  • pranayama
  • pranayama mantra
  • Pranidhi Varshney
  • preparation for yoga
  • Proficient primary
  • Puraka (inhalation)
  • Purna matsyendrasana
  • Pushpam
  • R. Sharath Jois
  • Raja yoga
  • Ramamohana Brahmachari'
  • Ramaswami
  • ramaswami chanting
  • Ramaswami newsletters
  • Ramaswami pranayama
  • Ramaswami's key asana
  • Ramswami yoga
  • Recaka (exhalation)
  • Richard Freeman
  • Rishi Series.
  • Roots of Yoga
  • Safer yoga practice
  • Samkhya krika
  • Samyama
  • sañcāra
  • sarvangasana
  • Śavasana
  • savasana Ashtanga take rest
  • science pertaining to the Self within. adhyātmavidyā
  • Sharath
  • Sharath jois
  • Sharath Rangaswamy
  • Sharath Rangaswamy Jois
  • Sharath Utkatasana exit
  • Short Ashtanga practice.
  • Simon Borg-Oliver
  • Simon Borg-Olivier
  • Simon Borg-Olivier pranayama
  • sirsasana
  • Sirsasana (headstand) to Gomukhasana
  • Sirsasana variation
  • Sirsasana variations
  • Sirssana
  • Slow Ashtanga
  • Splashtanga
  • SRI T K SRIBHASHYAM
  • Srivatsa Ramaswami
  • Table of asana
  • Taboo
  • Taḍagī Mudra
  • Taittiriya Upanishad
  • tatakamudra
  • Teaching Ashtanga
  • The Art of Ashtanga vinyasa
  • The Four Immeasurables
  • the Gita as it was
  • THE KALAMA SUTRA
  • the Original gita
  • the Source
  • This is yoga 1941
  • This is yoga life magazine
  • three gunas
  • Tirieng Mukha Eka Pada Paschimattanasana
  • Tolstoy
  • Tolstoyism
  • towards karandavasana
  • traditional Ashtanga
  • traditional ashtanga vinyasa
  • triangamukha Uttanasana
  • underwater yoga
  • Upanishads
  • urdhva dhanurasana
  • Utkatasana
  • Uttihita Padangustasa
  • Vicarious Yoga
  • Vinyasa
  • Vinyasa Krama
  • Vinyasa Krama inverted sequence
  • Vinyasa Krama lotus sequence
  • What I believe
  • What is Ashtanga really
  • What is Ashtanga?
  • Why meditation
  • why practice mudras.
  • Why practice yoga
  • Why Yoga
  • Yamini Murthanna
  • Yoga and aeging
  • yoga and ageing
  • Yoga and blood circulation
  • yoga and Diet
  • Yoga and Osteoporosis
  • Yoga and Women
  • yoga chikitsa
  • Yoga for the three stages of life
  • Yoga Korunta
  • yoga korunti
  • Yoga magazine
  • Yoga Makaranda
  • Yoga Meditation
  • Yoga mudra
  • yoga mudras
  • Yoga raading list
  • Yoga reading list
  • Yoga Sutras
  • Yoga Therapy
  • YogaGlo
  • Yogasanagalu
  • yogasanagalu translation
  • Yogavataranam
  • Zoë Slatoff-Ponté

Blog Archive

  • August 2017 (10)
  • July 2017 (5)
  • June 2017 (7)
  • May 2017 (6)
  • April 2017 (6)
  • March 2017 (9)
  • February 2017 (7)
  • January 2017 (7)
  • December 2016 (4)
  • November 2016 (6)
  • October 2016 (8)
  • September 2016 (6)
  • August 2016 (4)
  • July 2016 (6)
  • June 2016 (4)
  • May 2016 (2)
  • April 2016 (4)
  • March 2016 (16)
  • February 2016 (13)
  • January 2016 (15)
  • December 2015 (5)
Powered by Blogger.

Search This Blog

Report Abuse

  • Home

About Me

ravi
View my complete profile