grimmly2007.blogspot

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Friday, 25 August 2017

Current practice, Is it still Ashtanga or is Ashtanga Vinyasa more a state of mind.

Posted on August 25, 2017 by ravi
Perhaps it's more that consistent, focussed, daily practice has come to characterise Ashtanga Vinyasa. Perhaps whatever I were to practice, if I just went for a swim in the lake each morning, lengthened the stages of the breath while walking along the beach and Sat on the shore it would STILL feel like Ashtanga, to me.



I was asked about my practice these days, what shape it takes.

Not as strange perhaps as it may seem....



Standing
My standing involves a lot of Simon's spinal movements, his approach to twists and standing on one leg, more 'movements' perhaps than postures/asana. I only tend to include a couple of a Sun salutations but the framework isn't so far from Ashtanga or Vinyasa Krama.


1st half of Ashtanga Second series up until ustrasana


1st half of Ashtanga Primary series but badhavajrasana rather than the Marichi's

Sarvangasana inc. Krishnamacharya's Mysore 1938 variations

Sirsasana inc. variations

baddha konasana
gomukhasana
baddha padmasana

Siddhasana (pranayama)

Sit


*****

Is this still Ashtanga Vinyasa?

I think the Ashtanga Vinyasa we tend to associate with Sharath and the Jois family tends to be quite a narrow, fixed form of practice but of course Sharath will adapt it when necessary as no doubt does Saraswati, Manju certainly does, his own practice he says tends to be half primary, half Second and a few postures from Advanced, not so unlike the above perhaps.

It's tempting to give way and say Ashtanga Vinyasa is the fixed form we tend to think but I hesitate to do so. Pattabhi Jois always said that he was only presenting his teacher, Krishnamacharya's teaching. But we know that Krishnamacharya's teaching certainly wasn't fixed.

We can see the tables of asana that Jois employed for his fixed series but there was clearly a more flexible approach to practice in krishnamacharya's early Mysore teaching when Jois was his student as their was in Krishnamacharya's later years.

A flexibility in the choice of the asana, in the vinyasa (in this sentence referring to the movement to and from standing), whether to include full vinyasa between postures, half vinyasa or no vinyasa at all.

A flexibility in how long we might stay in an asana or mudra.

A flexibility in the approach to the breath, whether to keep it equal, lengthen either or both the inhalation and/or exhalation, begin a movement on the inhale or the exhale, include or omit kumbhaka ( holding the breath in or out after the inhalation or exhalation).

I feel my own practice reclaims some of that flexibility, probably why I'm hesitant to call it something else, even Vinyasa Krama. Krishnamacharya's teaching was always it seems flexible...,creative, it's so easy to forget that we can practice our Ashtanga that way if it's still approached with sincerity and commitment.

Perhaps it's just that consistent, focussed daily practice that has come to characterise Ashtanga Vinyasa for me the most. Perhaps whatever I were to practice, if I just went for a swim in the lake each morning, lengthened the stages of the breath while walking along the beach and Sat on the shore it would STILL feel like Ashtanga.



Current practice in more detail

Standing

I'm taking a Simon Borg-Olivier approach to standing, I've fallen in love with his spinal movements. Uncompressed, the spine doesn't have that much mobility, these movements seem sufficient to give the spine a good 'work out' in all directions. 

I've taken to exploring breathing possibilities, several movements within one inhale, bit radical for an Ashtangi brought up with the count and one movement for each stage of the breath 


One minute breath (give or take).

Something I mentioned on a recent post

Generally Simon Borg-Olivier recommends, when beginning physical yoga as well as perhaps a new sequence or approach, to employ natural breathing 'to the abdomen' a babies or sleeping breath. I've been employing relaxed abdominal breathing for a couple of years now but shifting from the Ashtanga one movement one inhalation or exhalation to letting the breath take care of itself has been challenging. But once you begin to get the hang of it other possibilities arise. In the video, I'm exploring breathing through the movements, so a long slow 30 second inhalation through the first stretches, of one arm and then the other above the head, one inhalation for both sides and then again a long slow, relaxed 30 second exhalation through the twists to the left and right. This is an aspect of practice I'm quite excited about exploring right now.
Note: The video above is natural speed, it hasn't been slowed down. The one below of the spinal sequence is x3



There are some different foot positions where we can do the same movements. I do different positions on different days, slowing the breathing in this way would mean all the foot positions would take too long. I particularly like the on one leg versions though and tend to include those before moving into these one leg versions of 'triangle' postures.

I'm interested in Simon's 'Standing' alternative to trikonasana etc. Explanation below.

On one leg/trikonasana?



Followed by twists, Simon Style





Prasarita's come into Simon's standing spinal sequence following the elephant stance posture

After a couple of Sun salutations, A and B (I'm exploring a supine version see Appendix).....




From Ashtanga Intermediate series 


I've start to move from standing into the back stretches from the first half of Ashtanga second series, pretty standard stuff, (but starting with bhujangasana bringing the legs to the bottom, Vinyasa Krama style), salambhasana, makrasana, urdhava danhurasana.

I spend a little time in vajrasana exploring the spinal movements as well as a short Virasana sequence including kumbhaka while supine, this from my Vinyasa Yoga practice book


Finishing the backstretch group with ustrasana.

I might add in Lagu Vajrasana, of late kapotasana seems...... excessive.


from Primary Series

Then it's back to Standard(ish) Primary, paschimottanasana, purvotasana. I drop ardha badha paschimottanasana. My tiryam mukha flows into krouchasana followed bhujangasana which I prefer over the maraichi's

Maha mudra followed by  Simon's twisted side bend version of janu sirsasna, they used to call it janu Sirsasana D back n the day i hear.

Navasana.

Inversions

A couple of desk postures (dwi pitam) then urdhva danurasana.

I counterpose by bringing the knees to the chest, then taking the legs over into halasana.


From halasana up into a Sarvangasana sequence





Perhaps the Ashtanga sarvangasana variations back to floor via the mayarasana's then rolling over (chkarasana) into Sirsasana and a five minute stay, slow breathing ( 30 second inhalation/30 second exhalation) then some variations...

I'm having fun going up and down into postures, from sirsasana to gomukhasana back up to sirsasna then down to baddha konasana followed by active movements into baddha padmasana.







Generally I'd only do one or two of the above movements and stay for longer, ten, twenty five breaths. Below is the same video at regular speed.


I'm also exploring Simon's nerve tensioning arm movements in the posture as well as the spinal movement, working to relax the spine as I move in and out of the posture.

Flow without Fluidity

Even though there is movement to and from the postures in Ashtanga and Vinyasa krama, such practice still feels somewhat....static, flow perhaps but without... fluidity, it's perhaps this fluidity that I'm enamoured with in Simon and Bianca's approach and suspect may be of benefit.




In going the other way, back up to headstand from padmasana (lotus) I'm using some of Simon Borg-Olivier's tips for effortless handstand here. Aiming to push the hips forward, lifting the upper back and moving the sitting bones forward to firm the abdomen and make up for the lack of navasana, the key though seems to be breathing into the abdomen as I bring my lots up my arms and then all the way up to Sirsasana. 

See Simon's how to lift up to handstand , part fifteen in his superb spinal sequence series of videos on YouTube https://www.youtube.com/watch?v=3h-vASq0H-U Update: 


I'll go back up to sirsasana in padmasana, a few gentle movements then lower back down to the mat, unfold without hands then fold (again without hands) into siddhasana for pranayama followed by a Sit.

*

I might do all of the above or merely a few of Simon's spinal movements, a Sury, trikonasana, a couple of seatead asana, a forward fold, backbend and twist, a mudra, a shoulderstand vinyasa, a longish stay in sirsasana and lower in and out of padmasana. followed by a little pranayama and a sit.


A flexible practice!






Appendix

I'm also exploring these twists as well as Surya namaskara while supine see appendix


As well as suryanamaskar

Email ThisBlogThis!Share to XShare to Facebook
Posted in | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • Ashtanga Advanced series? Why does the Advanced series presentations differ from the 'Original' 1973 Ashtanga syllabus
    I was asked a question about Philippa Asher's Advanced B poster and video I posted a link this week in connection to Philippa's arti...
  • Ashtanga Authorisation 1980 - Present. Includes first ONLINE teaching list (Ashtanga.com 2004) and first AYRI teachers list (2008).
    This post will become a permanent page at the top of the blog, a work in progress attempt to chart the development of the Ashtanga Authorisa...
  • Krishnamacharya recommended Four Key asana/mudra..... make that six..
    I was just sent an email asking for a recommendation "What 3-5 yoga poses should all men practice daily?" In several posts in the ...

Categories

  • #proficientprimaryproject
  • 84 key asana
  • active movement
  • Acupuncture
  • Advanced Ashtanga
  • Advanced Ashtanga demonstration
  • Advanced Ashtanga. Advanced asana
  • advanced B
  • Advanced backbending
  • Advanced series ashtanga
  • Ahtanga
  • alternate breathing in ashtanga
  • Antharanga Sadhana
  • Ardha Baddha Padma Paschimattanasana
  • ardha matsyendrasana
  • arm balances
  • Asana and ageing
  • asana as mudra
  • Ashtanga
  • Ashtanga 4th series.
  • Ashtanga 6th series
  • Ashtanga A
  • Ashtanga Advanced series
  • Ashtanga and addiction
  • ashtanga and ageing
  • Ashtanga and Diet
  • Ashtanga and eating
  • Ashtanga and losing weight
  • Ashtanga and menstruation
  • Ashtanga and recovery
  • Ashtanga and Weight lost
  • ashtanga authorisation
  • Ashtanga B
  • Ashtanga books
  • Ashtanga breathing
  • Ashtanga C
  • Ashtanga in midlife
  • Ashtanga interviews
  • Ashtanga Ladies holiday
  • Ashtanga led
  • Ashtanga lineage
  • Ashtanga Parampara
  • Ashtanga practice
  • Ashtanga primary
  • Ashtanga reading list
  • Ashtanga source
  • Ashtanga syllabus
  • Ashtanga teacher Authorisation
  • Ashtanga underwater
  • Ashtanga vinyasa
  • ashtanga vinyasa count.
  • Ashtanga Viswanath
  • Ashtanga yoga london
  • Ashtanga young boys
  • Ashtanga's origins
  • Asymmetric asana
  • Authorisation
  • AVIDYA
  • B.N.S. Iyengar
  • backbending
  • baddha konasana
  • baddha padmasana
  • beginner yoga reading list
  • Beginning Ashtanga
  • beginning Vinyasa krama
  • beginning vinyasa yoga
  • beginning yoga
  • being stopped at a posture
  • bhagavad gita
  • Bharadvajrasana
  • Bharatanatyam
  • BKS Iyengar
  • BNS Iyengar
  • Bohr effect
  • Book review
  • breathing asana
  • breathing in Ashtanga
  • breathing less
  • chakrasana
  • Chinese medicine and Ashtanga
  • chuck Miller
  • CIRCULO BLANCO
  • Conference notes.
  • cultivate
  • current practice
  • Dandasana
  • Danny Paradise
  • David Roche
  • David Swenson
  • David Williams
  • deep backbends
  • developing a Home practice
  • Dharana
  • Dhyana
  • drishti
  • dropback
  • early asana diploma course
  • early ashtanga vinyasa
  • eka pada sirsasana
  • Emergence of Yoga
  • four key asana
  • Gunas
  • Half Ashtanga series
  • Hamish Hendry
  • hands free lotus
  • hatha yoga
  • Hatha Yoga Pradipka
  • headstand
  • headstand variations.
  • headstands
  • Heartfulness meditation
  • Heartfulness meditation and ashtanga vinyasa yoga
  • hidden postures between postures.
  • History of Ashtanga
  • Home practice
  • Home yoga practice
  • in defence of ashtanga
  • Introduction to breath control
  • inversions
  • Invertions.
  • Jessica Walden
  • Kapotasana
  • karandavasana
  • Karandavasana preparation
  • Keshava Murthy
  • key asana
  • Kino intermediate series
  • Kino MacGregor
  • KPJAYI
  • Krishanacharya
  • krishna
  • Krishnamacharya
  • Krishnamacharya and Buddhism
  • Krishnamacharya and drishti
  • krishnamacharya and the gaze
  • Krishnamacharya backbending
  • Krishnamacharya kumbhaka
  • Krishnamacharya pranayama
  • krishnamacharya pranayama in asana
  • Krishnamacharya quotes
  • Krishnamacharya reading list
  • Krishnamacharya. Is Ashtanga hatha or raja yoga
  • Krishnamacharya's 32 headstands
  • Krishnamacharya's Advanced asana
  • Krishnamacharya's Ashtanga Primary series
  • Krishnamacharya's early Mysore works
  • krishnamacharya's inversions
  • Krishnamacharya's key asana
  • Krishnamacharya's Mysore Yoga students 1941
  • Krishnamacharya's Original Ashtanga Yoga
  • Krishnamacharya's practice guidelines
  • Krishnamacharya's pranayama
  • krishnamacharya7s Ashtanga
  • Kumbhaka
  • ladies holiday
  • lagu vajrasanam supta vajrasana
  • Langhana kriya
  • learn dance hand mudras
  • Learn Sanskrit
  • learning sanskrit yoga names
  • Learning Sanskrit.
  • Learning the sanskrit names for Ashtanga primary series. learning the Ashtanga vinyasa count
  • leg behind head poastures
  • lineage
  • Lineage holder
  • Lino Miele
  • lotus
  • Louise Ellis
  • loving kindness
  • Loving kindness and Yoga Sutras
  • M.S. Viswanath (Masterji)
  • maha bhandasana
  • mahabhandasana
  • mahabharata
  • mahamudra
  • manju jois
  • Manju's new Book
  • Mantra pranayama
  • Mark Darby
  • Mary taylor. subtle body.
  • Masterji
  • meanings of Yoga
  • Meditation and Ashtanga Vinyasa Yoga
  • Menstruation
  • metta
  • modified Ashtanga
  • moola bhandasana
  • moolabhandasana
  • mudra
  • Mudras
  • mula bhandasana
  • mulabhandasana
  • My year in posts
  • Mysore Traditions Movie
  • Mysore yoga demonstration 1941
  • Mysore yoga tradition
  • Nancy Gilgoff
  • newsletters
  • No official ashtanga
  • official ashtanga
  • OM The world of Ashtanga Yogis
  • on Series
  • on vinyasa
  • One breath an asana
  • original Ashtanga
  • original ashtanga syllabus
  • Original ashtanga table
  • Original ashtanga vinyasa count
  • origins of Ashtanga
  • Orisginal Ashtanga syllabus
  • padmasana
  • padmasana variations
  • Paramaguru
  • parampara
  • Patabbhi Jois' nephew
  • patanjali
  • Pattabhi Jois
  • Pattabhi jois Advanced series
  • Pattabhi Jois pranayama
  • Pattabhi Jois'
  • Pattabhi Jois' Yoga Journal letter
  • Perter Brooks Mahabharata
  • Philippa Asher
  • phulgenda Sinha
  • Plagerism
  • practice
  • practicing Yoga at home
  • practicing yoga safely
  • pranayama
  • pranayama mantra
  • Pranidhi Varshney
  • preparation for yoga
  • Proficient primary
  • Puraka (inhalation)
  • Purna matsyendrasana
  • Pushpam
  • R. Sharath Jois
  • Raja yoga
  • Ramamohana Brahmachari'
  • Ramaswami
  • ramaswami chanting
  • Ramaswami newsletters
  • Ramaswami pranayama
  • Ramaswami's key asana
  • Ramswami yoga
  • Recaka (exhalation)
  • Richard Freeman
  • Rishi Series.
  • Roots of Yoga
  • Safer yoga practice
  • Samkhya krika
  • Samyama
  • sañcāra
  • sarvangasana
  • Śavasana
  • savasana Ashtanga take rest
  • science pertaining to the Self within. adhyātmavidyā
  • Sharath
  • Sharath jois
  • Sharath Rangaswamy
  • Sharath Rangaswamy Jois
  • Sharath Utkatasana exit
  • Short Ashtanga practice.
  • Simon Borg-Oliver
  • Simon Borg-Olivier
  • Simon Borg-Olivier pranayama
  • sirsasana
  • Sirsasana (headstand) to Gomukhasana
  • Sirsasana variation
  • Sirsasana variations
  • Sirssana
  • Slow Ashtanga
  • Splashtanga
  • SRI T K SRIBHASHYAM
  • Srivatsa Ramaswami
  • Table of asana
  • Taboo
  • Taḍagī Mudra
  • Taittiriya Upanishad
  • tatakamudra
  • Teaching Ashtanga
  • The Art of Ashtanga vinyasa
  • The Four Immeasurables
  • the Gita as it was
  • THE KALAMA SUTRA
  • the Original gita
  • the Source
  • This is yoga 1941
  • This is yoga life magazine
  • three gunas
  • Tirieng Mukha Eka Pada Paschimattanasana
  • Tolstoy
  • Tolstoyism
  • towards karandavasana
  • traditional Ashtanga
  • traditional ashtanga vinyasa
  • triangamukha Uttanasana
  • underwater yoga
  • Upanishads
  • urdhva dhanurasana
  • Utkatasana
  • Uttihita Padangustasa
  • Vicarious Yoga
  • Vinyasa
  • Vinyasa Krama
  • Vinyasa Krama inverted sequence
  • Vinyasa Krama lotus sequence
  • What I believe
  • What is Ashtanga really
  • What is Ashtanga?
  • Why meditation
  • why practice mudras.
  • Why practice yoga
  • Why Yoga
  • Yamini Murthanna
  • Yoga and aeging
  • yoga and ageing
  • Yoga and blood circulation
  • yoga and Diet
  • Yoga and Osteoporosis
  • Yoga and Women
  • yoga chikitsa
  • Yoga for the three stages of life
  • Yoga Korunta
  • yoga korunti
  • Yoga magazine
  • Yoga Makaranda
  • Yoga Meditation
  • Yoga mudra
  • yoga mudras
  • Yoga raading list
  • Yoga reading list
  • Yoga Sutras
  • Yoga Therapy
  • YogaGlo
  • Yogasanagalu
  • yogasanagalu translation
  • Yogavataranam
  • Zoë Slatoff-Ponté

Blog Archive

  • August 2017 (10)
  • July 2017 (5)
  • June 2017 (7)
  • May 2017 (6)
  • April 2017 (6)
  • March 2017 (9)
  • February 2017 (7)
  • January 2017 (7)
  • December 2016 (4)
  • November 2016 (6)
  • October 2016 (8)
  • September 2016 (6)
  • August 2016 (4)
  • July 2016 (6)
  • June 2016 (4)
  • May 2016 (2)
  • April 2016 (4)
  • March 2016 (16)
  • February 2016 (13)
  • January 2016 (15)
  • December 2015 (5)
Powered by Blogger.

Search This Blog

Report Abuse

  • Home

About Me

ravi
View my complete profile